These tips are not in any specific order of importance since it is extremely hard to give a hierarchy to things like connection, embrace and music. They are topics frequently discussed and/or needed as you dance and evolve as a social dancer. They do not apply if you dance alone… but hey it takes two […]
We are in Buenos Aires as I write this. Preparing to compete in the Social Salon World Championship at the Mundial Festival. We are working hard to further sharpen our skills and create more fluidity to our musicality and partnership. The process goes from exhilarating to exasperating and back in a matter of moments. We […]
Only 8 days into this 6 week Buenos Aires journey; 12 milongas a little over 40 hours of dancing and lots of observing as well. There is so much hype and mystical nonsense that shrouds the real dance here it is amazing that more people do not comment on it, tango comes down to something […]
It is no accident that the mood of an entire tanda is the same even to the point of having the same orchestra from the same year with the same sound and rhythms to the songs (for instance Rodolfo Biagi used to play piano for Anibal Troilo, when Biagi formed his own orchestra the sound of Troilos music changed radically, so you wouldnt want to mix songs with and without Biagis famous rhythms in a Troilo tanda because it would disrupt the flow and connection developed by the milonguero) tango is a complicated dance and there are nights and partners where it takes all 4 similar songs to create a good connection a milonguero depends on this structure to create confidence in his partner.
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